In May, Sumathi Ramaswamy visited LSE to talk about the artist M. F. Husain and how his work contributed to the aesthetics of India’s Emergency. After her presentation, she spoke to Sonali Campion about visual history, the challenge of making artwork more widely available, and why Husain is such a controversial artist in India
This paper seeks to provide insight into the controversy over the nude paintings of Hindu goddesses ...
Contemporary criminology is witnessing something of a 'visual turn' and as researchers develop their...
There is in India a widespread theological view according to which the limitations of human beings m...
I would be the last one to deny the interest of studying images and of discussing their possible im...
At various points in history and in different geographical locations, the Hindu image has been signi...
Over ten years ago now Peter Burke, an early-modern European historian, wrote that ‘historians still...
This was supposed to be easy. A chance to bring together all my thoughts on film and history. To ma...
This research is a hybrid of a monograph and a multiple-article dissertation. Its theoretical star...
If pictures can paint a thousand words, why do many dismiss them quickly? Our human ancestors, Homo ...
The work of South Asian painter M. F. Husain embodies in many ways the cultural essence of India, bu...
Conference paper presented March 25-26, 2011.The difficulty of reading the extant photographic archi...
Over the past few years I have been engaged in writing a cultural history of photography, to be publ...
Abstract Indian art history is hindered by an exclusionist agenda where visual manifestations of cul...
We would like to celebrate the first twenty years of our journal, in 2022, by organizing a virtual b...
The reflection on images is a crossing point of many different theoretical fields and disciplines: a...
This paper seeks to provide insight into the controversy over the nude paintings of Hindu goddesses ...
Contemporary criminology is witnessing something of a 'visual turn' and as researchers develop their...
There is in India a widespread theological view according to which the limitations of human beings m...
I would be the last one to deny the interest of studying images and of discussing their possible im...
At various points in history and in different geographical locations, the Hindu image has been signi...
Over ten years ago now Peter Burke, an early-modern European historian, wrote that ‘historians still...
This was supposed to be easy. A chance to bring together all my thoughts on film and history. To ma...
This research is a hybrid of a monograph and a multiple-article dissertation. Its theoretical star...
If pictures can paint a thousand words, why do many dismiss them quickly? Our human ancestors, Homo ...
The work of South Asian painter M. F. Husain embodies in many ways the cultural essence of India, bu...
Conference paper presented March 25-26, 2011.The difficulty of reading the extant photographic archi...
Over the past few years I have been engaged in writing a cultural history of photography, to be publ...
Abstract Indian art history is hindered by an exclusionist agenda where visual manifestations of cul...
We would like to celebrate the first twenty years of our journal, in 2022, by organizing a virtual b...
The reflection on images is a crossing point of many different theoretical fields and disciplines: a...
This paper seeks to provide insight into the controversy over the nude paintings of Hindu goddesses ...
Contemporary criminology is witnessing something of a 'visual turn' and as researchers develop their...
There is in India a widespread theological view according to which the limitations of human beings m...